Percussionists are in the time-keeping business. Other musicians often look to us to create a rhythmic framework, a steady beat within which the music unfolds. One of the joys of being a band of four percussionists is that we often explore how time can be stretched, manipulated, played with, and reimagined. Our collaborators on this album helped us to do just that.

But this album is also about the passage of time on a larger scale. We are celebrating the 20th anniversary of our ensemble this year, and this album is one major way we are marking this milestone. We began by approaching some of our favorite past collaborators about creating new work with us (Jlin and Musekiwa), as well as reaching out to musicians who we have dreamed of collaborating with for years (Jessie, Tigran, and Zakir).

Each composer dealt with time in their own way for these pieces. Jlin drew inspiration from a 275-year old work from a favorite composer from her youth, J.S. Bach. Tigran bends and stretches time with his fantastically complicated rhythmic language, and harkens back to his own past with movement titles like “Memories from Childhood.” Jessie’s works move in and out of perceivable metered time, stretching not just rhythm, but pitch and timbre as well. Musekiwa’s piece title, Dzoka Kumba, translates to “Come Back Home” — a universal sentiment that reminds us not just of the places in which but also the people with whom each of our stories is rooted.

Zakir Hussain was known as one of the greatest performers of our time, and while his instrument was the tabla, time was his canvas, and he was able to find extraordinary beauty in the complexities of rhythm, as he does in this new work, Murmurs in Time. His piece also includes rhythmic themes his father taught him when he was a child in Mumbai, 60 years ago.

We never imagined that Zakir’s brilliant, joyful, inspiring life would come to a close while this album was being prepared for release. We were actually listening to the final audio of his piece moments before we learned of his passing — his voice was speaking to us through this recorded audio as his time on this Earth was reaching its end.

So time was on our minds in ways we couldn’t have imagined when we began putting this album together. We’re sad not to have had more time with Zakir, but we will be forever grateful for the year we spent working with this absolutely extraordinary musician. His mind-blowing talent and musicality were matched only by his generosity as a collaborator and the infectious joy he brought to his work and to his life.

We’re fortunate that the past 20 years have been full of inspiration and joy for our ensemble. We’ve seen extraordinary moments and met extraordinary challenges. We are so thankful for the time we have had together, and we are reminded never to take it for granted. We feel very fortunate to be able to spend our time making music with each other.

credits

released April 11, 2025

Producers: Judith Sherman and Colin Campbell

Engineer: Bill Maylone

Assistant Engineers: Aidan Connelly, Nick Iacono, and Daniel Quinlan

Studio Assistants: Emma Brooks and Samantha Aviles

Mixing: Third Coast Percussion, Judith Sherman, and Bill Maylone

Mastering Enginee:r Joe Lambert

Program Notes: Robert Dillon and David Skidmore

Recorded:
Tracks 1–4 and 7–10: November 4–8, 2024 and Tracks 5–6: September 30–October 2, 2024 at Narwhal Studios, Chicago, IL; Track 11: November 15, 2024 at Rax Trax, Chicago, IL

Publishers:
Please Be Still © 2024 by Jlin. All rights administered worldwide by Decca Publishing, a division of Universal Music Publishing Ltd.
Sonata for Percussion © 2024 Yergatun (BMI)
Murmurs in Time © 2024 Precious Time Publishing (ASCAP)
Study No. 1 © 2024 by Jessie Montgomery (ASCAP)
In Color Suite © 2024 by Jessie Montgomery (ASCAP)
Dzoka Kumba © 2024 by Musekiwa Chingodza. Used by permission.